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Regular 8mm
(aka
Standard 8) Film All film is produced from 16mm stock that has been reperforated for use in Regular 8mm cameras. As always, shipping within the United States is FREE on orders over $25.00. This film also known as Standard 8mm or Double 8mm. All film is in a 25 ft. spool that is run through the camera twice, exposing one half on each pass for a total of 50 ft. When you send the film off for processing, it will be cut down the middle and reattached for a continuous reel of film. |
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 CineChrome
40
(Kodachrome 40) Color Reversal Movie Film Regular 8mm (Standard 8) 25
ft. spool DISCONTINUED
- R.I.P. KodachromeCinechrome 40 is a moderate speed 8mm film
stock (asa
40 tungsten, asa
25 daylight) color reversal film with high resolving power and
extremely high sharpenss. The extremely fine grain and
excellent
archival properties help to explain why it has been popular for so many
years. Make sure to use an 85 filter for use
outdoors!
Expiration May 2008 (Please
excuse the older picture).
Processing
not included. See FAQ
for our lab
recomendations.
Kodak Kodachrome 40 Technical Specifications (pdf file 66K) |
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| Lithium
Batteries Diodes Super 8 Film Cartridges 16mm Film Stock Closeout Specials Mission Statement FAQ Shipping Links |
Ektachrome 100D 5285 Color
Reversal Movie
Film Regular 8mm (Standard 8mm) 25ft. spool -
$20.99
 Cinechrome 100D (Ektachrome 100D 5285) is a 100 speed, high color reversal motion picture camera film intended for photography under daylight illumination (5500K). It offers strikingly saturated color performance while maintaining a neutral grey scale and accurate flesh reproduction. This film has exceptional sharpness that is unsurpassed by any other 100 speed reversal technology, and its grain performance is excellent. Film 5285 offers outstanding results in studio applications where strong color saturation is desired. It is excellent for advertising, nature cinematography, documentaries, music videos, and is especially good for telecine transfers. Process E6 Processing not included. See FAQ for our lab recomendations. Kodak
Ektachrome 100D 5285 Technical Specifications (pdf file
53K)
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| Instruction Manual Downloads Sharpics Portable Studio Backgrounds Zeiss Lens Cleaning Kits |
 Super
Cine-x 7266 Black and White Reversal Film - Regular 8mm (Standard 8mm)
- 25ft. - $16.49 |
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Ektachrome
100D (Cine Chrome 100D) 7285
Film Speed
- Use these meter
settings with your automatic camera or exposure meter. To set
a
manually adjustable camera without an exposure meter, use the exposure
tables below.Use in Daylight or indoors with 80A filter Caution:
Process this
film in E6 COLOR reversal process.
Handling
- Load and
unload your camera in subdued light. The light side of the film must
always face the camera lens. Read
your camera instruction manual. Before closing the camera,
run 3 or 4
inches of film to be sure the film advances properly and is securely
attached to the take up spool. Some cameras, such as the
Canon Zoom 8,
will not advance film unless the film door is closed. For
cameras that
perform in this manner, you should manually advance the film by turning
the spools with your fingers. To expose the film completely,
run it
through your camera twice. The first time you will expose 25
feet
along half its width. When the film has been through your
camera once,
reload the film into the camera and run it through a second time to
expose the other half. When you have exposed both halves of
the roll,
replace the rubber band around the film and put it in the can.
Have
the film processed promptly after exposure. Don't keep your
movie
camera and film in a hot place, such as the glove compartment or rear
window of a car.
Exposure Table - Daylight Illumination - At 24 frames per second (fps), 170-degree shutter opening:
Daylight Exposure Tables - Use these lens openings for average subjects in daylight. This table is based on the use of a normal camera speed of 16/18 frames per second.
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Reversal Film 200
ASA (Super Cine-x)
Use indoors with artificial light or in Daylight Caution:
Process this
film in D-94A B/W reversal process. Otherwise images may be
underexposed.
Handling
- Load and
unload your camera in subdued light. The light side of the film must
always face the camera lens. Read
your camera instruction manual. Before closing the camera,
run 3 or 4
inches of film to be sure the film advances properly and is securely
attached to the take up spool. Some cameras, such as the
Canon Zoom 8,
will not advance film unless the film door is closed. For
cameras that
perform in this manner, you should manually advance the film by turning
the spools with your fingers. To expose the film completely,
run it
through your camera twice. The first time you will expose 25
feet
along half its width. When the film has been through your
camera once,
reload the film into the camera and run it through a second time to
expose the other half. When you have exposed both halves of
the roll,
replace the rubber band around the film and put it in the can.
Have
the film processed promptly after exposure. Don't keep your
movie
camera and film in a hot place, such as the glove compartment or rear
window of a car.
Film
Speed - Use
these meter
settings with your automatic camera or exposure meter. To set
a
manually adjustable camera without an exposure meter, use the exposure
tables below.
Exposure Table - Tungsten Light - This table is based on EI-8(tungsten) and reversal processing with a shutter speed of approximately 1/50 second, 24 frames per second (fps), and 180-degree shutter opening:
Daylight Exposure Table - Use these lens openings for average subjects in daylight. This table is based on the use of a normal camera speed of 16/18 frames per second.
This film works well over a wide range of light conditions. however, at the normal frames per second (16 or 18fps) sunlight will over expose this film. This progblem can be overcome with a camera that has a variable shutter such as the Bolex P1. Cameras such as the Bolex P1 have a variable shutter feature. At full shutter, the shutter speed at 18 fps is 1/38 sec. This is the shutter setting you should use for low light conditions. The P1 also has a half shutter opening. At this setting, the shutter speed is 1/76 sec. This setting is the equivalent of reducing the film sensitivity to a range that allows the use of reasonable f stops in bright sun. Although there is no mark, you can also rotate the variable shutter to 1/4 open. This gives a shutter speed of 1/150 sec. To use Super cine-x (ASA 200) do the following: For low light situations set light meter to ASA 200, set variable shutter to FULL OPEN. For bright light or outdoor sunlight situations set light meter to ASA 100, set variable shutter to HALF OPEN. If you want to try 1/4 shutter, set light meter to ASA 50 For outdoor exposure in sunlight, the following settings work well: Lens f/16, Variable Shutter HALF OPEN, Meter setting ASA 100 You will find you can use SUPER CINE-X for stage shows, street scenes at night, sporting events, etc. These are situations where color actually doesn't matter. In fact, black and white looks better. |
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If you are looking for Super 8 Cartridges, please see our Super 8mm Film Cartridge page for our latest offerings of film stock!! |
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